谢和旋

丰收从安阳老家进城找工作，一个多月过去了，同乡“刺猬”领着丰收好吃好喝，就是没见介绍什么工作，让丰收心里觉得过意不去。其实，“刺猬”也没什么正经工作。如果说有，那也是一种犯罪。一天，“刺猬”盯上了老裴便利店。实施抢劫前，丰收不愿下手，因为几天前丰收还在店里打过电话，觉得裴大爷人特好。倒是“刺猬”动作麻利，抢完钱将裴大爷打倒在地。逃走之前，丰收还跑进去看了裴大爷一眼。 裴大爷出院那天，后悔不迭的丰收出现在老裴便利店附近，塞在门缝、送还给裴大爷的钱被裴大爷交给管片民警后，丰收走进了老裴便利店，恳请老裴把他留下来做一个不要工钱的伙计。尽管有老伴和闺女小鹿的极力反对，但老裴还是将面前这个憨厚敦实的年轻人留了下来，安排在仓库里住下，做起了自己的帮手。 说起来，裴大爷开这个小店也不容易。今天这个来赊瓶酒，明天那个来借瓶醋，街坊邻里的，谁家有困难大家伙都明白，裴大爷从来没提过钱的事。在裴大爷的心里，老大的人，能张口说出一个“借”字，就说明别人有困难，再说小店还得靠大家伙维持着。除了小店，闺女小鹿也不让裴大爷省心。为闺女搞对象和上学的事，裴大爷就已经焦头烂额，再加上老伴成天唠唠叨叨，裴大爷有点力不从心。 自从丰收来了以后，裴大爷轻省多了。店里的事、家里的事，丰收是不分里外，不但小店的销售越来越好，就连过去有钱也赊账的一些人，被丰收卡住该给钱给钱。看着销售额逐日增加，从前对丰收横鼻子竖眼睛的大妈也开始发生了变化，渐渐喜欢上这个憨厚敦实的伙计。小店斜对面新开了一个超市拉走了附近的老客户，小店的生意日渐清淡，是丰收送货上门的建议，稳住了回头客，保证了先前的销售额。 小鹿的爱情被男朋友欺骗。为了瞒着未婚先孕的事实，丰收受小鹿之托，陪小鹿去医院做了手术，还在小鹿父母面前保守了秘密。就在裴大爷一家把丰收当自家人看待时，落网的“刺猬”把丰收牵扯进去。裴大爷从派出所回来，告诉丰收打他来当伙计的第一天就认了出来，但裴大爷相信丰收是个好人。临去派出所自首前，丰收想跟裴大爷照张合影。镜头前，丰收的笑依然是那么憨厚，裴大爷、大妈后面，小鹿还特意往丰收身边靠了靠，不知道的，还以为这是一张美满和睦的全家福！。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。