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22 年前
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2003年3月,出租车上,司机说的冷笑话,令拼车的男女非常不爽。女人崔恩模(徐雨 饰)刚结束印度之行,回到故乡坡州,感觉麻木而凄凉。她了解到姐姐恩秀事故的内情:姐夫金钟直(李善均 饰)把一笔不菲的保险金留给了他。1996年春,金钟直在一家教会学校授课,他的学生清一色都是女孩子。他给她们讲起了自己跟学姐的初恋。姐弟恋的故事感动了女孩子们,她们都对他心生怜惜,并给他过了一个特别的生日,这令他措手不及。其中,有对姐妹一起同住,面对即将拆迁的房屋,她们在彼此支撑。不过,令恩模惊诧的是,姐姐恩秀竟然爱上了老师。他们结婚了,期间恩模出去赚钱,回家后发现姐姐意外去世,只得与姐夫相依为命。期间,两人暗生情愫。为了不逾越道德的边境,告慰姐姐在天之灵,恩模再度离开了坡州……。慕兮爱了慕淮州七年,但没有血缘的虚名是慕淮州内心的枷锁。慕淮州盲信女秘书的建议想让慕兮放弃他,却不知秘书暗中捣鬼,导致慕兮历尽磨难。但一切终将真相大白,坚强的慕兮破茧成蝶,让坏人受到惩罚、让弱懦的人后悔不及,而她也步入新生活拥抱幸福!。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。