星际宝贝国语版百度云
8 年前
搜影视
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。宇宙世紀0087年、地球圏の戦乱は混迷を極めていた。連邦軍のエリート組織「ティターンズ」と反地球連邦組織「エゥーゴ」の内戦の最中、エゥーゴを指揮する立場となったクワトロ（シャア）、ティターンズを我が物にしようと目論む“木星帰りの男”シロッコ、そして「ザビ家」復興を掲げるジオン軍残党“アクシズ”の指導者ハマーン・カーン。三つの勢力の地球圏の覇権を賭けた、政略と軍略が絡み合い、戦局は、巨大レーザー砲へと改造されたスペースコロニー、グリプス２を巡る最終局面へと突き進んでいく。 戦場では、人々の愛情と憎しみが交錯する。エゥーゴを離れ、ティターンズのシロッコの下へ身を寄せる女レコア。シロッコを慕いながらも、エゥーゴのカミーユたちに惹かれる少女サラ。そんな人々の想いを受け止め、Ｚガンダムは、混迷の戦場を飛ぶ。 そして、ついにカミーユは知る。Ｚガンダムの持てる...。
