两名在劳改采石场服刑的罪犯余仲奎和宣小非,在一天深夜脱逃,潜入一〇八厂杀害了厂党委书记,并盗走了大量机密文件。案发后,一〇八厂立即戒严进行搜捕。两罪犯为了逃命,找到曾经接受他们贿赂的保卫处副处长钟超。三人商议化整为零,分头行动,三天后在省城会面。钟超因妻子难产住在医院,放心不下,悄悄返回医院探望,并将身上所有值钱的东西留下,默默地告别而去。宣小非在武装民兵的围捕下四处逃窜,意外地遇见了一青年女工殷萍,躲过了巡逻的民兵。幼稚的殷萍错将宣小非当成电影明星备加崇拜,陷入痴情,把他带回家中。但当她得知宣小非是在逃罪犯时,立即机敏地向公安局报了案。市公安局长冷崇武接到报案后,立即赶到一〇八厂。此时,宣小非凶相毕露,挟持殷萍为人质逃窜。在围捕中,他爬上了化工厂的巨大天然气气罐上,以开枪引爆气罐进行要挟。冷崇武面对严峻的局面,沉着冷静,舍身忘死地登上气罐平台,将宣...。In this bitingly satirical film Peter Slovan, a continuous source of trouble for the film functionaries of the socialist Slovakia, tackles an evergreen topic – the corruptive effects of power. Barnabáš Kos, a triangle player at a symphonic orchestra, is suddenly promoted to serve as the head of the said institution, even though both he and his superiors deem him completely unfit for the task. Encouraged in equal parts by this unexpected recognition and the servile praise of his colleagues, Kos’s modesty starts to gradually vanish. The erstwhile bashful and aloof percussionist quickly becomes aware of the advantages of his new office, and begins to realise his increasingly ludicrous artistic ambitions. Ultimately, the submissive marionette turns into a source of public humiliation, and his astonishing career finds an abrupt end. Orchestra serves here as a microcosm that grotesquely reflects the absurd and tragicomic mechanisms of the paranoid apparatus of power.
Digitised in 4K and restored in 2K, based on the 35mm camera negative, by the National Film Archive of the Slovak Film Institute. The original film elements are preserved by the National Film Archive of the Slovak Film Institute.
Eva Näripe。四个活跃在墨西哥边境的职业大盗,幸运的接到一单大买卖,去营救一位被绑架的德克萨斯石油大王的妻子。于是,这帮唯利是图、身怀绝技,有神枪手、爆破专家、训马师和军事家组成的亡命之徒,在杰西拉萨的率领下,冒着生命危险,终于成功救出美国的人质,然而此时他们才猛然发现,事情远没有这么简单......。